In archaeology, discoveries typically prompt more questions than answers. For Max Lehman, who studies Pre-Columbian art history, what we don’t know—and may never—about ancient peoples and civilizations is what makes the discipline so compelling. The ancient Mayans, for example, bedecked their elaborate temples with images on carved rock slabs, and the Aztec sun stone, or calendar stone, is a remarkable example of Mexica sculpture.
Lehman’s work has one foot in the advanced civilizations of the past and another in the distant future, a time long after today’s developments around robotic and machine learning technologies. His current show Ancestral Androids at Hecho a Mano delves into a kind of future past inspired by science fiction, where modern tech and prehistoric visual culture merge in unexpected and idiosyncratic ways.